The Agenda

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Bert Crenca

Noisy By Nature

The Flash That Refuses To Fade

In our last issue we published an interview with Bert Crenca, Art Director and co-founder of AS220. This is a continuation of that transcript, focusing on the importance of manifestos and public dialogue.

The phenomenon of manifestos, and the phenomenon of change, is a social-historical accident. The conditions in this town and the historical conditions around the country in the mid-’80s created a lot of alternative spaces, and we started networking with each other. We were in contact with the Knitting Factory in New York, which started a little bit after AS220 did, the Worcester Artist Group, the Middle East in Cambridge, and Populist Pudding in Connecticut. These alternative spaces were creeping up all around the country and there was such a need for something like AS220, that if it wasn’t me then it might have been someone else. The idea of social-historical accident, which I got from a brief conversation I had with Bobby Seals about the Black Panthers, resonates with me about our own history, and the types of advances that have happened historically when the conditions were right.


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